'Legal personhood for cultural heritage? Some preliminary reflections' by Alberto Frigerio in (2026) International Journal of Cultural Property 1-8 comments
Cultural heritage occupies a paradoxical position in law: It is protected as property but experienced as a repository of identity, memory, and dignity. This article examines whether cultural heritage could, in principle, be recognized as a subject of law, drawing on emerging developments in environmental and nonhuman personhood. After tracing the historical and conceptual evolution of legal personhood—from human and corporate subjects to nature and ecosystems—it explores the moral, relational, and symbolic dimensions that might justify extending personhood to heritage. The analysis highlights both the potential benefits of such recognition, including stronger ethical and representational protections, and the associated risks, such as legal inflation, state appropriation, and conflicts with ownership and restitution law. Ultimately, it argues that rethinking heritage through the lens of relational personhood reveals the need for a more pluralistic and ethically responsive legal imagination.
Sergio Alberto Gramitto Ricci, 'Legal Personhood for Artwork' by Sergio Alberto Gramitto Ricci in (2025) 76(5/6) University of California San Francisco Law Journal 1429 states
Artwork is unique and irreplaceable. It is signifier and signified. The signified of a work of art is its coherent purpose. But the signified of a work of art can be altered when not protected. The ramifications of unduly altering the signified of a work of art are consequential for both living and future generations. While the law provides protection to artists and art owners, it fails to grant rights to works of art themselves. The current legal paradigm, designed around the interest of owners and artists, also falls short of protecting Indigenous art aimed at conserving traditions and cultural identity, rather than monetizing creativity. This Article provides a theoretical framework for recognizing legal personhood for works of art, in the interests of art in and of itself as well as of current and future generations of human beings. This new paradigm protects artwork through the features of legal personhood.