31 December 2009

Corporations and dialectic

Reading Oona Eisenstadt's derridean 'Making Room for the Hebrew: Luther, Dialectics, and the Shoah' in 69(3) Journal of the American Academy of Religion (2001) 551-575 and 'Early Elements of the Corporate Form: Depersonalization of Business in Ancient Rome' (Amsterdam Center for Law & Economics Working Paper No. 2009-14 here) by Barbara Abatino, Giuseppe Dari-Mattiacci & Enrico Perotti.

Eisenstadt looks at Franz Rosenzweig's 1926 'Scripture and Luther' and Ullmann & Kien's Terezin masterpiece Der Kaiser von Atlantis [YouTube snippet here].

The 43pp paper by Abatino et al argues that -
A crucial step in economic development is the depersonalization of business, which enables an enterprise to operate as a separate entity from its owners and managers. Until the emergence of a de iure depersonalization of business in the 19th century, business activities were eminently personal, with managing partners bearing unlimited liability. Roman law even restricted agency. Yet, the Roman legal system did develop a form of de facto depersonalized business entity, which, although in a radically different way, exhibited all the distinctive features of modern corporations (continuity, direct agency, limited liability, and entity shielding). Business was depersonalized by making the fulcrum of the company a nonperson: the slave. Paradoxically, limited liability was achieved by extending the liability of the master to include assets managed by the slave (the peculium), in contrast with an earlier principle that the slave owner was not responsible for transactions by his slave. On the question why de iure depersonalization emerged only over a thousand years after the Roman experience, we discuss three hypotheses: (i) a cultural hypothesis, (ii) a technological hypothesis and (iii) a biased-evolution-of-remedies hypothesis.
All in all less entertaining - and, for me, less persuasive - than A Social History of Company Law: Great Britain and the Australian Colonies 1854-1920 (Aldershot: Ashgate 2009) by Rob McQueen.